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Saturday is a novel by Ian McEwan set in Fitzrovia, London, on Saturday, 15 February 2003, as a large demonstration is taking place against the United States' 2003 invasion of Iraq. The protagonist, Henry Perowne, a 48-year-old neurosurgeon, has planned a series of chores and pleasures culminating in a family dinner in the evening. As he goes about his day, he ponders the meaning of the protest and the problems that inspired it; however, the day is disrupted by an encounter with a violent, troubled man.
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4 of 4 people found the following review helpful.
A Novel About Ideas
By Stephen B. Selbst
Ian McEwan's Saturday is less of a novel than it is a meditation on life's changes, told through the voice of Henry Perowne, a middle-aged neurosurgeon who lives in London. Saturday tells the story of a single day in Perowne's voice, mostly through inner monologue, as he reacts to the events as they occur. That structure has its advantages and disadvantages: the advantages are that we get a rich, fully developed portrait of Perowne, who is a sympathetic protagonist, and because Perowne is intelligent and acute, we also hear his thoughts on a wide spectrum of issues that have touched and continue to touch his life. These thoughts, turned over realistically in a beautifully rendered stream of consciousness style, are at the heart of the novel. Although Perowne's thoughts range widely that day, a unifying theme is man's inevitable progression through life to his demise. Laced into that theme is a parallel exploration: what qualifies as a meaningful life, and how does one live it?
When he arises before sunrise, Perowne sees a blinding flash from his window that he first thinks is perhaps a meteor, then later learns is a disabled Russian plane that has made an unscheduled landing at Heathrow. When the first news reports are fragmentary and unclear about the pilots and their motives, he wonders at first whether the plane is a terrorist attack on London, which sets him thinking about the conflict between Islamic fundamentalism and the West, the possibilities of protracted warfare between them, and how this may impact his life, and those of his children. In his detached and analytic way, Perowne eventually reasons that, although a terrorist attack could devastate London, the actual likelihood of such an event is relatively remote.
Later in the day, he has a minor car accident with a thuggish man whose behavior shows that he suffers from a rare, progressive and invariably fatal disease, which prompts a series of thoughts about the inevitability of bodies decaying and ultimately failing. That theme is reinforced by his weekly squash game with a colleague, when he ruminates on his body's diminishing ability to compete at a game he clearly loves. A trip to visit his mother, who is demented and lives in a nursing home, gives him further opportunities to consider life's path. And the surprising events of his dinner with his adult children, his father-in-law and his wife again set off considerations of life's essential fragility and brevity.
Perowne's thoughts reflect who he is: a serious, accomplished and methodical man soberly assessing his life and its meaning as he begins the passage from middle age to the years beyond. The strengths of the work are the brilliant depth with which McEwan realizes his portrait of Perowne, and the lucidity with which Perowne examines these serious intellectual issues. One of the great pleasures in reading any of McEwan's works is the sheer elegance of the writing. Not only does McEwan describe nuances of behavior and feeling in convincing detail, he does so in a way that is consistent for his character, Henry Perowne.
The disadvantages of Saturday are equally clear: this is not a novel that presents a traditional story arc of primary conflict and resolution. It is mostly a work about ideas, and if McEwan doesn't compel your attention with the subjects of Perowne's musings, you won't like Saturday at all. To say it another way, one way of thinking about novels is that they present interesting stories, populated by interesting characters, that make you think. And on this score, McEwan only scores two out of three. In Saturday, the story is not equal to the strength of the characters or the writing. While one may care about Henry Perowne and his family, the story simply doesn't command the same level of interest. So I give Saturday four stars, and I wish I had liked it better.
1 of 1 people found the following review helpful.
The work of a contempletive master.
By Gene Hull
And excellent book by one of the best authors writing today.SATURDAY is a tour de force of emotion, reflection, observation
and action. A London family is violated by a fluke happenstance after the father confronts thugs on the way to his office.
This is a riveting story, truly one of Ian Ewan's best.
13 of 15 people found the following review helpful.
Saturday: Can Any Day Be Truly Ordinary and Uneventful?
By Hal Bass
Like Virginia Woolf's "Mrs. Dalloway" and James Joyce's "Ulysses," Ian McEwan's novel takes place on a single day. A Saturday in February 2003 was supposed to be consultant neurosurgeon Henry Perowne's day off. On the way to his weekly Saturday morning squash game, Mr. Perowne (as medical consultants in Great Britain are known) gets into a minor automobile accident with a lowlife named Baxter while trying to avoid a massive demonstration in central London against the impending Iraq war (and its downright unpredictability, not unlike Henry Perowne's day off will turn out to be). Even the name McEwan assigns to Perowne is a play on the words "one's own personhood," the ephemeral nature of which the novel meticulously explores. Baxter, whose first name we never learn, has a noticeable tremor and is clearly emotionally unstable, which leads Henry to humiliate the man by making an on-the-spot diagnosis of a neurodegenerative disorder that Baxter had been trying to keep secret from the two ruffians with him at the time of the accident.
McEwan, in his novels, paints portraits, not landscapes, portraits in "Saturday" that depict in exquisite detail the life of a neurosurgeon both in and out of the operating room and the physical and psychological hell into which those afflicted with Baxter's condition descend. Henry's ambivalence toward Baxter -- whether to look upon him with compassion and empathy as he does all his patients or as a stalker threatening the lives of Henry Perowne and the family he deeply loves and cherishes -- is further reflected in Henry's ambiguity about joining in protest against a war to oust a brutal regime which tortured and maimed an Iraqi exile Henry had operated on.
In addition to the suspenseful pas de deux between Perowne and Baxter, McEwan provides the reader with majestic passages of poetry written by Perowne's daughter -- which the rational, scientific Perowne has difficulty comprehending -- and glimpses into the life of Perowne's mother, now in an advanced stage of Alzheimer's disease. While the novel's early pages test the reader's patience, the later chapters proceed smoothly toward its surprise ending.
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